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seven.five Another Korean short worth a watch. However, I don't like it as much as many others do. It really is good film-making, though the story just isn't entertaining enough to make me fall for it as hard as many manage to have done.
“Deep Cover” is many things at once, including a quasi-male love story between Russell and David, a heated denunciation of capitalism and American imperialism, and ultimately a bitter critique of policing’s effect on Black cops once Russell begins resorting to murderous underworld techniques. At its core, however, Duke’s exquisitely neon-lit film — a hard-boiled genre picture that’s carried by a banging hip-hop soundtrack, sees criminality in both the shadows as well as sun, and keeps its unerring gaze focused within the intersection between noir and Blackness — is about the duality of identity more than anything else.
It’s taken many years, but LGBTQ movies can finally feature gay leads whose sexual orientation isn’t central towards the story. When an Anglo-Asian person (
Will not dream it, just whether it is! This cult classic has cracked many a shell and opened many a closet door. While the legendary midnight screenings are postponed because from the pandemic, have your very own stay-at-home screening!
Steeped in ’50s Americana and Cold War fears, Brad Chicken’s first (and still greatest) feature is tailored from Ted Hughes’ 1968 fable “The Iron Male,” about the inter-material friendship between an adventurous boy named Hogarth (Eli Marienthal) and also the sentient machine who refuses to serve his violent purpose. Because the small-town boy bonds with his new pal from outer space, he also encounters two male figures embodying antithetical worldviews.
In the many years considering that, his films have never shied away from tricky subject matters, as they tackle everything from childhood abandonment in “Abouna” and genital mutilation in “Lingui, The Sacred Bonds,” for the cruel bureaucracy facing asylum seekers in “A Season In France.” While the dejected character he portrays in “Bye Bye Africa” ultimately leaves his camera behind, it is actually to cinema’s great fortune that the real Haroun didn't do the same. —LL
When it premiered at Cannes in 1998, the film made with a $700 a person-chip DV camera sent shockwaves through the film world — lighting a fire under the electronic narrative movement from the U.S. — while on the same time making director Thomas Vinterberg and his compatriot Lars Van Trier’s scribbled-in-forty five-minutes Dogme ninety five manifesto into the start of a technologically-fueled film movement to shed artifice for art that established the tone for twenty years of low price range (and some not-so-very low finances) filmmaking.
Davis renders hq porner period of time piece scenes like a Oscar Micheaux-impressed black-and-white silent film replete with inclusive intertitles twink jock chris keaton fucked hardway by tyler tanner and archival photographs. A single particularly heart-warming scene finds Arthur and Malindy seeking refuge by watching a movie in a theater. It’s transient, but exudes Black Pleasure by granting a rare historical nod recognizing how Black people of your past experienced more than crushing hardships.
With each passing year, the film at the same time becomes more topical and less shocking (if Weir and Niccol hadn’t gotten there first, Nathan Fielder would probably be pitching the particular idea to HBO as we talk).
Spike Jonze’s brilliantly unhinged “Being John Malkovich” centers on an amusing high concept: What in the event you found a portal into a famous actor’s mind? Yet anal porn the movie isn’t designed to wag a finger at our tradition’s obsession with the lifestyles on the rich and famous.
Even better. A testament into the power of big ideas and bigger execution, only “The Matrix” could make us even dare to dream that we know kung fu, and would want to use it to accomplish nothing less than save the entire world with it.
Viewed through a different lens, the movie is also a sex comedy, perceptively dealing with themes of queerness, body dysphoria and the desire to get rid of oneself from the throes of pleasure. Cameron Diaz, playing Craig’s frizzy veterinarian milftoon wife Lotte, has never been better, and Catherine Keener is magnetic as free porn movies being the haughty Maxine, a coworker who Craig covets.
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Set inside the present day with a bold retro aesthetic, the film stars a young Natasha Lyonne as Megan, an innocent cheerleader sent to your rehab for gay and lesbian teens. The patients don pink and blue pastels while performing straight-sexual intercourse simulations under the tutelage of an exacting taskmaster (Cathy Moriarty).